Resizing (160)

Every Star Wars film, ranked

By Aristophanes  •  December 28, 2017

With The Last Jedi now in theaters, we took a look back at saga history — and how it compares to the new films.

Resizing (149)

1950s Hercules falls far from the tree

By Hermes  •  November 25, 2017

The muscleman-era film is hardly a faithful adaptation of the original Greco-Roman myth.

Resizing (142)

Ben-Hur: Different worlds intertwined

By Hermes  •  November 1, 2017

The classic film symbolizes the tension, and ultimate unification, of Roman and Jewish life.

Resizing (119)

Blade Runner 2049’s style bucks blockbuster trend

By Aristophanes  •  October 9, 2017 

Rarely, if ever, do we see a big-budget film so intelligently composed.

Resizing (111)

Blade Runner: Expression through restraint

By Aristophanes  •  October 4, 2017

The long-awaited Blade Runner sequel is upon us. Here’s another look at the original’s iconic style.

Resizing (92)

Life of Pi: A film to make you believe in God

By Aristophanes  •  September 24, 2017

In Life of Pi, a boy travels across the sea as the viewer embarks on a spiritual odyssey.

Resizing (91)

The Graduate: How music sets a tone

By Aristophanes  •  September 23, 2017

The film’s soundtrack is subtle and rich, brimming with life but speaking of death.

Resizing (89)

Rebel Without a Cause: Melodrama as a stylistic mode

By Aristophanes  •  September 22, 2017

The film is about nothing — and that’s why it’s so brilliant.

Resizing (70)

How Hollywood can succeed in Japan

By Aristophanes  •  September 12, 2017

Japan houses the second-largest foreign market for American films. Hollywood should expand its dominance in the Land of the Rising Sun.

Resizing (61)

Citizen Kane’s prying lens

By Aristophanes  •  September 7, 2017

Orson Welles’ iconic film represents voyeuristic camerawork at its finest.

Resizing (25)

Nazi Germany knew how to edit

By Aristophanes  •  August 25, 2017

Propagandist films, such as Triumph of the Will, hijack the human psyche with associative editing.


Dr. Strangelove: Setting a scene with light and shadow

By Aristophanes  •  August 19, 2017

The 1960s comedy enhances its satire through stunning monochromatic cinematography.